Small Natural Edge Vessel #253
Piece #253 – Cherry – 3.5″ dia x 4″ – Sold
Bark Edge Willow Bowl #262
Piece #262 – Willow – 10″ dia x 6.5″ – Sold
Natural Edge Willow Bowl #248
Piece #248 – Willow – 10″ dia x 7.5″ – SOLD
This bowl is stained walnut and finished with dewaxed shellac.
Cardinal Inlaid Platter #279
Piece #279 – Magnolia & Calcite – 11.5″ dia x 2.5″ – Sold
This 12 inch platter has a cardinal sitting on a bare twig inlay made of calcite. The inlay process is the same I used on piece #258 – Magnolia with Calcite Inlay.
Here is the carved out design.
Next I painted the bottom of the carved out part the appropriate color.
Placing the dyed calcite comes next.
After gluing, sanding and polishing the inlay is complete.
Natural Edge Form #259
Piece #259 – Cherry – 6.5″ dia by 5″ – SOLD
Oval Maple Vase #252
Piece #252 – Maple – 7″ wide by 8″ tall – SOLD
Inlaid Cherry Tree #245
Piece #245 – Maple & Calcite – 5.5″ dia by 1.5″ – July, 2011 – Sold
Bark Rim Bowl #249
Piece #249 – Bradford Pear – 11″ dia by 6″ – Sold
Inlaid Covered Bowl #246
Piece #246 – Orange Osage & Calcite Inlay – 7.5″ dia by 5″ – SOLD
Willow Vase #244
Piece #244 – Willow – 5″ dia by 8″ – SOLD
Celtic Dragon #239
Piece #239 – Oak with Inlaid Dragon – 10.5″ dia by 1″ – SOLD
Sycamore Bowl with Red Calcite Inlay #250
Piece #250 – Sycamore & Calcite Inlay – 8″ dia by 3″ – SOLD
Inlaid Hollow Form #247
Piece #247 – Black Walnut & Calcite Crystal – 9″ dia by 5.5″ – Sold
Bark Covered Open Form #243
Piece #243 – Oak – 9.5″ dia by 5.5″ – SOLD
Because I wanted to leave as much bark on this piece as possible, I had to carve out the center on the lathe first and then I had to hand carve out the rest. 
Bradford Pear Natural Rim Form #287
Piece #287 – Bradford Pear – 4.5 dia. by 4.5 – SOLD
Salad Bowl Set #264
Piece #264 – Spalted Hackberry – 10.5″dia by 6″ – SOLD
In April 2011 we had a big storm in Knoxville. Lots of trees blew down. This Hackberry tree came down on Nibben Ridge Road. I only picked up two pieces. Now I wish I had taken more. 

Natural Bark Rim Bowl #263
Piece #263 – Bradford Pear – 10″ dia by 6.5″ – SOLD
Large pieces of Bradford Pear are hard to come by. Unfortunately, two were blown down in our neighbor’s yard in the spring of 2011. I happened by as the clean-up crew was loading it into their truck. I snagged some of the trunk.
Bowl in a Bowl #242
Piece #242, Gunacaste (Ear Tree) – 11″ dia. by 3 ” – Sold
This piece was something new. It is all one piece of wood. It is not glued together. Quite unique.
Look at the tiny worm holes in the sap wood.
Wow! Allowing both heart wood and sap wood to contrast is is so striking in this Gunacaste piece. I love it.
Square Bowl #241
Piece #241 – Spalted Maple – 13″ dia x 5″ – Sold
This unusual bowl is square but it looks like the sides are concave. This bowl has a red and black inlaid band down near the inside bottom. It is called “Circle in a Square”.

Sycamore Bowl #240
Piece #240 – Sycamore – 8″ dia x 4″ – Sold
This Sycamore bowl has a natural edge. As you know, sycamore sheds its bark so there is no bark on this piece. However, it does have an unusual edge.
Salad Bowl and Treenware #258
Piece #258 – Magnolia with Calcite Inlay – Sold
This Magnolia Salad Set is inlaid with green, white and clear Calcite. The Calcite is first crushed and sorted into five different sizes using kitchen strainers.
The black comes from mixing the fine Calcite with black carbon dust. The black is used to highlight the inlay and to provide a contrasting base at the bottom of the inlay.
First you must carve out your design, or in this case, the rim around the bowl and the shape on the fork and spoon set.
In the picture at the right I am using a Dremel tool with a high speed boring burr. You must be very precise as you want your edges straight and crisp. Patience and a steady hand are essential.
The photo below is a close-up of the fork as the burr is carving out the shape. You must stay just inside your pencil lines. It is best to carve straight down into the wood about 5/16 of an inch. Try to keep the bottom as flat as possible.
In the next two photos you can see the completed shape. Notice the straight edges and the depth of the carving. It is important to go deep enough to give your inlay prospective.
The next step is critical. Omitting it will ruin your piece! Using very thin CA glue will stain the wood and it will never come out. You must protect the wood surface from soaking up this thin CA glue. I use a solution of 90% Denatured Alcohol and 10% one pound cut of dewaxed shellac. Mix this and put it in an industrial type spray bottle. Spray a little on your hand. When it drys in a few seconds, your hand should be slightly sticky. If it is, your mixture is the right consistency. Spray this mixture on the surface of the wood. Let it dry a few minutes. Spray on another coat. Let it dry.
You must do this step every time after you sand the inlay. Don’t forget!
In the four photos below you can see the process of inserting the Calcite crystals into the carved out shape. The first step is to place a fine layer of black crystal along the bottom of the design. This provides a contrast at the bottom of your inlay to enhance the depth of the clear crystals.
Next lay in the largest crystals. Use the biggest ones that will fit into the groove, making sure they are “proud” of the top of the wood. Space them out. Use your sense of color and shape to arrange them into the entire carved out groove.
Now fill in around your large crystals with the next smaller size. Pack them in as tightly as you can get them. After your groove won’t accept any more of this size crystal, go to the next smaller size crystal. Sprinkle them in around the larger crystals. You will notice that they fall down to the bottom of your groove and fill in around the larger crystals. Continue until they have filled in completely around the larger crystals.
Using the sugar sized crushed crystal (black and white) fill in all of the holes, voids, cracks and spaces. I sprinkle it on very lightly so that it will fall in around the larger crystals. The idea is to get as much of the groove filled with crystal as possible. In this step when using black crystal, “Less is More”.
I use a large magnifying glass mounted on a scissor arm with a light around it to inspect the placement of the crystal. You might want to vibrate the wood to help the crystal settle into empty pockets. Be careful if you do this as you can easily vibrate everything out of the groove and all over your work bench! You should have a mound of crystal piled up “Proud” of the wood surface as seen in the photo below.
Once you have the crystals loaded into the groove, fill the groove with very thin CA glue. Use the thin CA glue liberally. I mean fill that groove so that the glue is running out and over the sides. Drip it in and let it soak in. Continue until the crystal is drenched. (See the fifth photo down.) Let the CA glue dry for about 30 minutes.
The next step is power sanding. I start with Klingspor 5″ Stearate A/O 40 grit PSA sandpaper discs used on my variable speed drill. You can get them from Klingspor’s Woodworking Shop at www.woodworkingshop.com. As you can see from the photo, the Calcite crystals are all glued together into one solid mass that sets “Proud” of the wood surface. The Calcite must be sanded down flush with the wood. Be careful not to build up too much heat on your sandpaper or the inlay.
After you have power sanded the Calcite down to the wood, inspect the surface of the inlay using a magnifying glass. You will notice that there are a few tiny holes and crevices. You must fill those in with crystal and add more CA glue. But not before you spray the wood surface with the Shellac solution again. Power sand this time using 80 grit paper. Inspect the surface again and repeat the process until the inlay surface is smooth. If the surface is solid, from this point on you will not be using CA glue, so you do not have to spray shellac after sanding.
Power sand the inlay starting with 100 grit and go all the way through 1200 grit. Your Calcite will be polished and gleaming. Finish with the Beal Buffing system.

Finial Trinket Box #215
Piece #215 – Rosewood, Maple, Oak – 4″ dia x 8″ – Sold
This piece was purchased at the Oak Ridge Secret City Festival. The finial is oak dyed black. The top is spalted maple and the bottom is Indian rosewood. It is finished with varnish.
Closed Form Piece #235
Piece #235 – Spalted Maple with InLace – 9″ dia x 6″ – SOLD
This spalted maple form with the blue inlay rings is a unique piece. It is finished with clear shellac.








