Tall Dark Urn/Vase with Orange Calcite Bead #632

Tall Dark Urn/Vase with Orange Calcite Bead #632

Piece #632 – Walnut, Ebony, Calcite – 4″ x 12″

An elegant piece that is either an urn for your cherished pet’s cremains, or a vase for a beautiful silk flower arrangement. You choose. The top, which can be set aside is made of ebony. The vase is black walnut. The striking bead is orange calcite..

 

 

 

Three Point Pierced Box/Urn #631

Three Point Pierced Box/Urn #631

Piece #631 – Oak – Fake Gold Leaf – 7.5″ by 4″

A three point oak pierced box with metal leaf is certainly different. Could it also be a cremains urn for a beloved pet? It could also be an incense burner for cone incense. What is your take?

Big Sycamore Salad Bowl with Multi-color Calcite Rim #630

Big Sycamore Salad Bowl with Multi-color Calcite Rim #630

Piece #630 – Sycamore, Multi-color Calcite Crystals – 13.5″ by 4.5″

This magnificent functional bowl has it all! The stunning features start at the top with a multi-color calcite mineral beaded rim. Just below the rim are three beads. The bowl’s built in coloration and character are unique. This would be a great conversation piece for your dinning room table or a great salad bowl for those big family gatherings.

 

 

 

Bradford Pear Natural Bark Edge Pedestal Bowl #629

Bradford Pear Natural Bark Edge Pedestal Bowl #629

Piece #629 – Bradford Pear, Bark – 4.5″ x 4″

The natural bark edge has been left on this Bradford Pear tree limb. It was made by mounting it on the lathe lengthwise and turning the bottom while leaving the top natural. Some interesting effects were achieved using CA glue and very fine bark pieces. Makes for a charming little gift for someone.

 

Sycamore Pierced Bowl with Black Calcite Rim # 628

Sycamore Pierced Bowl with Black Calcite Rim # 628

Piece #628 – Sycamore, Dyed Calcite Crystals – 10.5″ by 5.5″

This gorgeous bowl features a black rim made of dyed clear calcite crystals. Below the rim is a random pierced design painted black to mirror the calcite. This is all one solid piece of wood. The only thing glued is the calcite.

 

 

 

Oak Burl Natural Bark Edge Platter #626

Oak Burl Natural Bark Edge Platter #626

Oak Burl Natural Bark Edge Platter #626

In 2017 Hurricane Irma blew through Central Florida leaving death and destruction – to many trees. One special, 100 year old oak tree fell to Irma’s destruction. That Winter Park Oak tree had over 50 burls growing on it. I got most of them. This piece came from one of them.

Piece #625 – Oak Burl, Calcite Inlay – 12″ x 3″

Piece #625 – Oak Burl, Calcite Inlay – 12″ x 3″

Piece #625 – Oak Burl, Calcite Inlay – 12″ x 3″

In 2017 Hurricane Irma blew through Central Florida leaving death and destruction – to many trees. One special, 100 year old oak tree fell to Irma’s destruction. That Winter Park Oak tree had over 50 burls growing on it. I got most of them. This piece came from one of them. I filled in some of the natural voids with calcite crystals. I left the two big voids (holes) because it gives it a new dimension of character.

 

 

Oak Burl Natural Bark Edge Bowl #624

Oak Burl Natural Bark Edge Bowl #624

Piece #624 – Oak Burl, Calcite Inlay – 6.5″ x 3″

In 2017 Hurricane Irma blew through Central Florida leaving death and destruction – to many trees. One special, 100 year old oak tree fell to Irma’s destruction. That Winter Park Oak tree had over 50 burls growing on it. I got most of them. This piece came from one of them. I filled in some of the natural voids with calcite crystals. Eye candy!

 

 

 

Oak Burl, Open Form Natural Bark Edge Bowl #623

Oak Burl, Open Form Natural Bark Edge Bowl #623

Piece #623 – Oak Burl – 6″ by 5″

In 2017 Hurricane Irma blew through Central Florida leaving death and destruction – to many trees. One special, 100 year old oak tree fell to Irma’s destruction. That Winter Park Oak tree had over 50 burls growing on it. I got most of them. This piece came from one of them.

 

 

 

 

Camphor Salad Bowl with Green Calcite Inlay #622

Camphor Salad Bowl with Green Calcite Inlay #622

Piece #622 – Camphor, Dyed Calcite Crystals – 11.5″ by 4″

This striking salad bowl features a dyed green calcite crystal inlaid rim. It is a functional salad bowl or a conversation piece for your living room coffee table..

 

 

 

Camphor Natural Edge Bark Bowl #621

Camphor Natural Edge Bark Bowl #621

Piece #621 – Camphor, Bark – 6″ x 3.5″

Camphor is a strong smelling wood when it is cut. It is the smell of Vick’s VapoRub, or Campho-Phenique. It will open your sinuses right up! Sometimes the color in Camphor is pinkish and quite pretty.

 

Camphor Natural Edge Bark Bowl #620

Camphor Natural Edge Bark Bowl #620

Piece #620 – Camphor, Bark – 6″ x 3″

Camphor is a strong smelling wood when it is cut. It is the smell of Vick’s VapoRub, or Campho-Phenique. It will open your sinuses right up! Sometimes the color in Camphor is pinkish and quite pretty.

Camphor Natural Edge Bark Bowl #619

Camphor Natural Edge Bark Bowl #619

Piece #619 – Camphor, Bark – 7″ x 4″

Camphor is a strong smelling wood when it is cut. It is the smell of Vick’s VapoRub, or Campho-Phenique. It will open your sinuses right up! Sometimes the color in Camphor is pinkish and quite pretty.

 

 

 

Sycamore Red and Grey Distressed Salad Bowl #618

Sycamore Red and Grey Distressed Salad Bowl #618

Piece #618 – Sycamore, Milk Paint, Distressed – 9″ x 3.5″

This is a functional salad bowl made from Sycamore. It is finished with 6 layers of milk paint; three red and three grey. I sanded through the grey layers exposing the red beneath to give it a well worn look.

 

 

 

Maple Distressed Salad Bowl #615

Maple Distressed Salad Bowl #615

Piece #615 – Maple, Milk Paint, Distress – 11″ by 5″

This is a functional salad bowl made from maple. It is finished with 6 layers of milk paint; three blue and three grey. I sanded through the grey layers exposing the blue beneath to give it a well worn look.

 

 

 

Maple Celtic Rope Bowl #614

Maple Celtic Rope Bowl #614

Piece #614 – Maple, wood inlay – 14″ by 2″

This unusual platter/bowl features a two-color wood inlaid Celtic Rope. The inlay was prepared by a 75 watt laser cutting the design 1/16 inch deep. I used purple heart and walnut wood flour to fill in the design. 

 

 

 

I sold this piece at an Art Show.

Walnut Bowl with Texturing #612

Walnut Bowl with Texturing #612

Piece #612 – Black Walnut, Textured, Lime wax – 6.5″ by 3″

Lime wax was rubbed into the texturing. The texture was added on the lathe by one of my texturing tools.

 

 

Copper Leaf 3 Point Bowl #611

Copper Leaf 3 Point Bowl #611

Piece #611 – Oak, Copper Leaf, Chemical Patina – 7″ by 4.5″

This is an example of two design tecquniques. One is the three point bowl. The other is copper leaf with a chemical patina.

 

 

 

New You Tube Video Lead Clip

New You Tube Video Lead Clip

This video clip was made by Chris McD for The Factur Facebook Header. He made 6 clips. One for each leter in the FACTUR name. My portion is the C which I turned on the lathe.

Mineral Embellishment

Mineral Embellishment

 Mineral Inlay

Calcite is first crushed and sorted into five different sizes using kitchen strainers.

After turning three years I felt I needed to add another facet to my hobby. I wanted to add interesting character to pieces where the wood offered little or no figure or character of it’s own. In July 2011, I attended a class  at Arrowmont Folk Art School in Gatlinburg TN, given by Stephen Hatcher. That week long workshop started me on the fascinating process called mineral inlay.

 

First you must carve out your design, or the rim around a bowl. In this example the tear drop shape on the fork and spoon set. I am using a Dremel tool with a high speed boring burr. You must be very precise as you want your edges straight and crisp. Patience and a steady hand are essential.  As the burr is carving out the shape you must stay just inside your pencil lines. It is best to carve straight down into the wood about 5/16 inch. Try to keep the bottom somewhat flat. It is important to go deep enough but not too deep.

 

The next step is critical. Omitting it could ruin your piece! 

Super thin CA glue is used to bond the mineral to the wood. However, using very thin CA glue will stain the wood and never come out. You must protect the wood surface from soaking up this thin CA glue. I use a solution of 90% Denatured Alcohol and 10% one pound cut of dewaxed shellac. Mix this and put it in an industrial type spray bottle. Spray a little on your hand. When it drys in a few seconds, your hand should be slightly sticky. Spray this mixture on the surface of the wood and let it dry a few minutes. Do it again. You must do this step every time after you sand the inlay. Don’t forget!

 Next lay in the largest crystals. Use the biggest ones that will fit into the groove, making sure they are “proud” of the top of the wood. Space them out. Use your sense of color and shape to arrange them into the entire carved out groove.

Fill in around your large crystals with the next smaller size. Pack them in as tightly as you can get them. After your groove won’t accept any more of this size crystal, go to the next smaller size crystal. Sprinkle them in around the larger crystals. You will notice that they fall down to the bottom of your groove and fill in around the larger crystals. Continue until they have filled in completely around the larger crystals.

Using the sugar sized crushed crystal fill in all of the holes, voids, cracks and spaces. I sprinkle it on very lightly so that it will fall in around the larger crystals. The idea is to get as much of the groove filled with crystal as possible. I use a large magnifying glass mounted on a scissor arm with a light around it to inspect the placement of the crystal.

You might want to vibrate the wood to help the crystal settle into empty pockets. Be careful if you do this as you can easily vibrate everything out of the groove and all over your work bench! You should have a mound of crystal piled up “Proud” of the wood surface. 


Once you have the minerals loaded into the groove, fill the groove with very thin CA glue. Use the thin CA glue liberally. I mean fill that groove so that the glue is almost running out and over the sides. Drip it in and let it soak in. Continue until the crystal is drenched. Let the CA glue dry for about 24 hours.  It will look like one piece of molten glass and be very hard and dry.

The next step is power sanding. I start with Klingspor Stearate A/O 80 grit PSA sandpaper discs used on my variable speed drill. You can get them from Klingspor’s Woodworking Shop.

As you can see from the photo, the Calcite crystals are all glued together into one solid mass that sets “Proud” of the wood surface. The Calcite must be sanded down flush with the wood. Be careful not to build up too much heat on your sandpaper or the inlay.

After you have power sanded the Calcite down to the wood, inspect the surface of the inlay using a magnifying glass. You will notice that there are a few tiny holes and crevices. You must fill those in with crystal and add more CA glue. But not before you spray the wood surface with the Shellac solution again.  

Power sand this time using 100 grit paper. Inspect the surface again and repeat the process until the inlay surface is smooth. If the surface is solid, from this point on you will not be using CA glue, so you do not have to spray shellac after sanding. Power sand the inlay starting with 120 grit and go all the way through 5000 grit. Your Calcite will be polished and gleaming.

 

Art Deco Modern Butterfly Platter #610

Art Deco Modern Butterfly Platter #610

Piece #610 – Steamed Beech, Dyed Calcite Crystals – 11.5″ by 1″

 This striking platter features a multi-color art deco butterfly made of dyed clear calcite crystals. The butterfly is surrounded by small dragonflies which have transparent green wings made of resin. It has it’s own display stand.