Small Spalted Urn #547
Piece #547 – Spalted Hickory – 5″ by 6.5″ – SOLD
Red Dragon Fire is finally completed. I have been working on this piece off and on for over two years. It started out as a simple vase. However, it never seemed to want to be a simple vase. Sooooo, I put an inlaid Eastern Dragon on the simple vase. Not satisfied. Sooo, the flames were carved and air brushed onto the top. Still not satisfied. Ahhhhhh, the final touch – The base; a separate piece, carved then air brushed, then gold leaf applied. Now – Red DragonFire #535 is satisfied. Almost —- He is looking for a home.
Roger Dale Scott
Woodpops
Piece #526 – Bradford Pear – 8″ by 6.5″ – Sold
This piece came from Georgetown KY, Mallard Point subdivision. The tree collapsed in an ice storm in 2014. If you look closely you can see woodpecker holes lined up in the bark. Very cool.
This vessel made of spalted maple has a bradford pear lid. The top of the finial on the lid has a natural edge (bark) rim for that little surprise to draw the eye. The lid mates to the body with threads from PVC pipe fittings. You can tighten this lid and it stays nice and snug. This urn has the grace and balance of a sleek animal. The bottom of the urn has been left solid so there is plenty of weight to keep it steady. The finish on this piece is blond dewaxed shellac. The vessel has an interior dimension of 115 cubic inches. (115 lbs of body weight in cremains ashes).
This lidded Urn or Vessel is made of four different species of wood. The main body is Tropical Almond. The collar between the lid and the body is Orange Osage. The lid is Wild Cherry and the finial is Walnut. The piece is sanded through 400 grit paper and finished with six coats of dewaxed Shellac. It is then buffed with the Beal buffing system.
This urn will hold up to 100 cubic inches of ash remains, (100 pounds precremation weight).
This spalted sycamore vase is carved and pierced with images of autumn leaves. It is air brushed with translucent colors and the veins are burned in with my wood burning tool. It has a satin lacquer finish on the outside and a hard varnish finish on the inside.
This is a collaboration of my son Chris and myself. He did the cardinal in oil paint. I turned the vase, inlaid the top and bottom with calcite and pierced and textured the piece. It is very unusual.
In October of last year I attended a Master’s workshop at Arrowmont Art School in Gatlinburg, TN. The master was Binh Poh. The workshop was thin wall turning with embellishment using pyrography, piercing, texturing and air brushing. The air brushing and wood burning (pyrography) was new for me. This vase is my first attempt at using an air brush. I have a lot to learn yet. you can see the 360 view at YouTube http://youtu.be/u1F0cCTBv9o
Sorry! I somehow missed taking a photo of this piece.
I dug this root ball up out of my back yard. I put it on the lathe green and turned it to the pot shape that you see. When I thought it was complete it had no checks, holes or inclusions. It was just a solid, ugly, hollow pot. Over the next few weeks it had transformed itself into the piece that you see. The two root tendrils that were fused and made up the front shrank and came apart from each other and the pot leaving the odd shaped opening in the front. Many checks developed over the entire piece and along the rim. At first glance I almost pitched it in the cutoff bin. But, being one who can’t throw any piece away I kept it on my “To be fixed shelf.” About a year later I spotted it out of the corner of my eye and picked it up. I said to myself, “Maybe I should look at this with a different eye.” So I sat down and studied it for about 5 minuets. It then revealed itself to me for what it really was. I sanded, oiled and polished the piece. I have been its ardent fan every since.
Roger Dale Scott
WoodPops
This Bradford Pear came from a neighbor”s yard after the storm on April 27th. I love the pinkish color of this wood. I turned this wood green. The crack came from the limb breaking off during the storm. It looks like a jagged wound. The piece was finished with clear shellac.
This walnut piece has several noteworthy accents. There is bark that runs from the top all the way down the side. It also has contrasting inlay around the bottom.
Sold this one at the Lenoir City Arts and Crafts Festival on June 4th.
This charming little piece is from the Guanacaste Tree of Costa Rica. It has an inlaid ring around its base giving it a Southwestern flair.
The maple for this piece came from my friend Kevin’s back yard. It spalted naturally. I cut it from the crotch in the base of the tree. The striking dark line is the outside edge where the two limbs grew together.
The fungus lines in this piece of spalted maple are quite striking. I have several pieces made from this log. (#179, #185, #188) E mail me if you want them all and I will give you a 20% discount.